An international collective of fiber artists exploring sources of inspiration and creativity.
Showing posts with label Lin Hsin-Chen. Show all posts
Showing posts with label Lin Hsin-Chen. Show all posts
Wednesday, March 18, 2015
V9 Exhibition: International House, Davis
Viewpoints 9 is proud to announce a special exhibition of contemporary fiber art selected from each of our original 2012 and 2013 challenges. The exhibit will be held at the International House in Davis, California, April 9 - May 6, 2015. Viewpoints 9 members, Diane Wright and Martha Wolfe, invite you to join them for the Opening Reception on April 10, 2015 from 6 - 8PM.
Monday, August 26, 2013
Out of Control Weather
by Lin Hsin-Chen
Global warming becomes even more serious in summer 2013. Human beings are
luckily enough to be able to hide into an air-conditioned room to regulate body
temperature. The pursuit of comfort is a human instinct. How about all the
other living things on Earth? Are they as lucky as we are? The temperature is
getting higher and higher every year. The problem of global warming seems out
of control. What a hazardous time we are in! It’s hard to imagine that we human
beings will become “climate
refugees” in the future.
I attended a cruise trip in July. As a first-time cruiser, I enjoyed the facilities on the ship and felt everything
was so novel. But I felt confused when I was listening to the tourist guide on
the cruise explaining how the coastline landscape has been changed due to
climate change, flood and drought. It swept away my joy and made me feel sad.
Why does the environment change? How will it affect the future?
Getting off the ship, we visited the coastline of Okinawa. I saw a scorched tree standing obliquely under the hot sun in the marine
park. The tree leaves just looked like black nets. There was no wind under the
shade, only high-temperature heat instead. I guess the tree also felt unwell as
I did. I quickly ran into the air conditioning car. How about the tree? Does
Nature have any method to resist the hazardous
climate? Or does it just show the reality in front of human beings and try to
give some warns?
Admittedly, this trip was no much fun. The cruise brought me to the coast
and let me see the ecological truth and the environmental change we’re facing,
which is very different from what I saw from an airplane. The scorched black tree was definitely
an unforgettable scene for me! Pray for the Earth!
Materials: commercial cotton, poly batting, lace, silk, flannelette, knit
patterns
Techniques: 100% hand-stitched
Tuesday, August 13, 2013
Cognitive Correction
by Lin Hsin-Chen
The quilting world in Asia is mostly under the commercial domination and
this problem is particularly serious in Taiwan.
There are fewer people in fiber arts that can set up their self-learning goals
and accomplish their dreams as a fiber artist like I do. Getting a foothold in
Asia is relatively hard. The unwritten
rules are just like a rope that ties the freedom of creativity, which not only
harms creative quilters but also distorts the true intention of fiber arts. I’m
quite envious of the creative environment and atmosphere in the U.S. and Europe. That’s why I set up TAQS
(Taiwan Art Quilt Society) and try to find a way out. Hopefully I can see the
environment to be changed and improved gradually. Being a part of Viewpoints 9
has helped me to widen my vision and influenced my perspectives in many
aspects.
This spring, when I was attending an exhibition in Provence, Nature gave
me a “hint” by showing me “black flowers.” It brought me new inspiration for
the future and altered my
original cognition of Nature colors. The color of Nature is ever changing and
beyond our expectation. It helps me to learn to accept something that exceeds
the original cognition.
Nature is just like a Master who guides us to renew our knowledge and
vision and allows us to see our shortcomings and change our concept. It is
always a happy thing to participate in Viewpoints 9.
All the best to everyone!
Wednesday, June 26, 2013
Health and Happiness
By Lin Hsin-Chen
God loves us and let bad things happen in due course, giving us the
opportunity to learn from mistakes and live a better life. I learned an
important life lesson from a “pain-removing process”. The lines of a varied,
adventurous, complicated and challenging life story are imprinted on this
quilt.
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| "Health and Happiness" ©2013, Lin Hsin-Chen |
The red flowers on the quilt represent happiness and the white flowers
represent both physical health and mental health, which not only should be
co-existed in harmony, but also the goal for everyone. I hope all my friends
are healthy and happy like the red and white flowers.
Everybody knows that health leads to happiness. However, my conception of
this idea was reversed. I wished everyone was happy even I had to sacrifice my
health. During TIQE2012 (Taiwan International Quilt Exhibition 2012), Sue, Mary
and Misik told me that I looked exhausted. That’s true, but I was still keen on
accompanying with all the artists till they left Taiwan. In fact, I was facing
the crisis of heavy bleeding. Only my husband and daughter knew it, so they
shared my works. Until this year, after several visits to Europe, I finally had
to do the surgery. My preconception “grew”
the tumor up. I am lucky enough to be able to choose the time for surgery. Who
has such courage to accept this kind of life crisis? Thanks to my husband and
family for the huge and selfless support of my dangerous “experiment”. Thank
God for guiding me through this life challenge. I will put health and happiness
in my first priority from now on.
This is a story of a
stupid adventure. After I overcome my ignorance, this story will “bloom” like
bright flowers in this quilt. I’m glad that I still have enough time to sew it
after the surgery without delaying the deadline. Everything is going well and I
truly appreciated.
I wish everyone healthy and happy forever.
Materials: silk, cotton, ribbon
Techniques: 100% hand-stitched
Wednesday, June 5, 2013
Different from Our Thoughts
by Lin Hsin-Chen
I attended an
exhibition in France in mid May and met many European artists. I found many
groups are quite similar to our Viewpoints 9. Some of them use social network
for public viewing and some of them don’t, but they have one thing in common,
which is the long histories. Some of them even have been lasted for 20 to 30
years. I was stunned by their attitude and spirit of cooperation. It was truly
a valuable opportunity of exchanges and I’ve seen diverse insights from them in
the world of quilting, including creating styles, discussion, communication,
art work publishing, obligation and cooperation between members. There’s a lot
I can learned from them.
I’m lucky to have the
opportunity to visit different cities and experience various local cultures. During
each journey, I often encounter something that is “different from my thoughts”,
not only in quilting professions but also in trifling matters of everyday life.
I always try to blend in and learned from the local people, but maybe I am not
knowledgeable enough, I often feel upset and start complaining. Worst of all,
the unsatisfied current situation not only affects my emotion, but also violates
my creating and self-learning plans.
In fall, 2009, I
visited Chicago and stayed there for 5 days to enjoy the arts and architecture
and so on of this city. The Millennium Park located beside Lake Michigan let me
absorb in its cultural and leisure atmosphere. What a great chance for
meditation and rethink about those things that I used to complaint about! When
I stood in front the tremendous work, Cloud Gate, all of the people and things
looked distorted. Both our attitude and the environment keep changing, so if we
don’t keep learning and adjust ourselves, maybe the friends around us would see
a “distorted” person. The world is always different from our thoughts. Keep
learning and accept the fact seems to be the only solution.
The sudden
enlightenment in Chicago helps me a lot in dealing with people and things. Also
allows me to adjust myself in a very short period of time in Europe and accept and
appreciate diverse
groups. Thanks to the previous learning experience that have changed my views.
All my best wishes for the future development of Viewpoints 9.
Monday, April 29, 2013
Warm Love
by Lin Hsin-Chen
Admittedly, every
contemporary culture will become ancient traditional images in another
generation. New culture that has been influenced by traditional culture must be
recorded. The red sweater that my mom gave me not only gives me warmth but also
appeases my negative emotions. The power of it is as beautiful as flowers. The
sweater is worn out and now it becomes part of my quilt. I would like to
dedicate this quilt to my mom and thanks for her love and support. Happy mothers day and
stay healthy to mothers around the world!
Techniques: hand pieced, hand quilted, yoyo
Thank you, Misik, for giving us this meaningful challenge. By this
challenge, Image from Tradition, I got the chance to take a look at the
vanishing culture of Taiwanese Aborigines. Then, as I tried to explore the
definition of “tradition”, an image that has existed in my life for 25 years rose
before my eyes. I decided to use the image for my quilt and share the story
with everyone.
Admittedly, every
contemporary culture will become ancient traditional images in another
generation. New culture that has been influenced by traditional culture must be
recorded. The red sweater that my mom gave me not only gives me warmth but also
appeases my negative emotions. The power of it is as beautiful as flowers. The
sweater is worn out and now it becomes part of my quilt. I would like to
dedicate this quilt to my mom and thanks for her love and support. Happy mothers day and
stay healthy to mothers around the world!
Marriage is a tradition itself. It’s also the hardest challenge in my
life. My mom was definitely worried and anxious about my new life. She bought
me some clothes, so that at least she could make sure that I wouldn’t feel too
cold. One of them was a red sweater, which was just like an angel to me, and it
“escorted” me through my “hard times”.
In Taiwan, following the tradition is the most basic obligation for a
married woman to obey. I was assigned to prepare for traditional ceremonies and
3 meals a day for the entire family of 30 people or more during Chinese New
Year (usually for 10 days). During the 10 days, no one else could help me. I
had to do all the preparing and cooking by myself. I was pregnant, but it wasn’t
an excuse to escape.
I didn’t have any cooking experience at my maiden home, not to mention
housekeeping. The traditional value was just like a monster, and it made me
wanted to run away. Beside the household chores, I had to try to get along with
my husband’s family and adjust myself to the new living environment. All the
things just came to me at the same time, and I was extremely struggle with
them. I used to cry a lot and feeling helpless like a melancholic.
It was a cold winter, so I wore the red sweater that my mom gave me.
Magically, the red sweater not only gave me warmth, but also brought me joy and
luck. I started to look at the bright side of life and learned to do those
things step by step. The interpersonal relationship was the first problem that
I overcame. After that, life seems become easier gradually.
Techniques: hand pieced, hand quilted, yoyo
Materials: sweater, mono printed cotton, commercial cotton, beads, paillette
Thursday, March 28, 2013
The Vanishing Culture
by Lin Hsin-Chen
Life is a combination of numerous coincidences. When I
completed the 6 challenge, I shared the idea of making a quilt with my collection
of old traditional fabrics with my friends. Then, I received our 7 challenge, “Image
from Tradition”. What a great coincidence! Thank you Misik for giving me this incredible
opportunity!
I attended an opening ceremony of a cultural exhibition at a
museum in Taiwan on March, 24th. The theme was “The Vanishing
Culture of Taiwanese Aborigines - The Pingpu Tribe”. The exhibition introduces
the people who lived in Taiwan Island around 4 to 5 thousand years ago. The
people are what we called “The Pingpu Tribe” today. Their traditional culture
and customs are replaced by the Han Chinese culture gradually in the recent 4
hundred years. Many of the valuable antiques are also taken away from Taiwan by
the new residents. Many of the exhibits displayed in the exhibition are from
overseas. It’s nice to see them “coming back” to Taiwan again. I am especially
attracted by the fiber and costumes of Pingpu people, so I decide to do some
research about them.
The Pingpu people use natural plant fibers, such as cotton
and linen, to make their clothes. They use waist looms to weave. Plaid is the
most common pattern they use, and natural dyeing colors such as red, yellow,
green, purplish blue, orange…etc are common to see. The most gorgeous costumes
of Pingpu people are usually decorated with delicate brocade. The handmade
techniques present the simple and pure lifestyle at that time.
I was born and grown up in Taiwan, but it’s my first time
seeing the primitive culture. I’m so touched and feel very lucky to experience
the vanishing culture. All the photos posted here are not the antiques of
thousand years ago (but 400 years ago), because I can’t take photos of the
oldest antiques. They are too old to be attacked by flashlights anymore.
To be honest with you, the exhibition changes my original
design plan for the 7th challenge. My plan of challenge 7 now
remains unknown.
Wednesday, February 27, 2013
Encircled with Friendship
by Lin Hsin-Chen
I received the 6 challenge when I was working with the “stories”
that happened last year. By handling the details of each plan, I could have an
in-depth view and absorption of those practical experiences. It also
helped me to enhance and widen my vision of both private and public
perspectives. It feels like I’m a university student learning for credits.
Thanks to 2012.
Among the collation of gifts, many are fiber materials. They
are a wide variety of fabrics that I’ve received from Sue Dennis, Mary Pal,
Misik Kim and many other friends around the world. I decided to make them
connected in my quilt. It’s a fresh thinking, and it made them a meaningful
existence in my work. Making it for my 6 challenge is really an extraordinary
thing.

I’m the kind of person who hates getting in troubles, so my
daily life is very simple, and I follow plans and care every detail. It’s also
my attitude in official business. When I was organizing TIQE2012 (Taiwan
International Quilt Exhibition 2012), I had many chances to communicate with
international artists by e-mails or face-to-face and exchange gifts. These
working conversations and meetings always give my body and soul a sense of
floating, because I want to take everything seriously and be highly concentrated.
These conversations and meetings are just like a biological cell, which stores
and expands my life memories and feelings. The cells are knowledgeable and
often being stored in the dark for a while, but they are always ready to let me
take them out any time and add new elements in. They are everlasting nuclei of life, which carrying the stories of
my life.
Precious friendship
comes from ordinary days. Delicate literal conversations and enthusiastic
meetings with friends are the warmest life exchanges. Its extension is an
invisible circle, like a ring. Such profound friendship is beyond distance and
time, and connects us firmly.
While sewing this
quilt, I made the seams visible, because real friendship needs not to care
about outside appearances. I believe every stitch is heartfelt appreciation for
year 2012 and every valuable learning experience.
In Chinese thinking,
people believe that a circle is a fusion of ordinary and extraordinary
things. I use circles to convey my feelings. Wish every letter and gift will be
my eternal memory.
p.s. the size of
this quilt is much bigger than the original request, because I want to put all
the gifts and fabrics on it.
Technique:
100% hand pieced, hand
quilted.
Monday, January 21, 2013
Meditating
by Lin Hsin-Chen
Thanks to Ms. Sue Dennis for giving us this interesting challenge.
Thanks to Ms. Sue Dennis for giving us this interesting challenge.
Recently, I have been busy handling various business
reports, budget and final accounts…etc. It’s a long-term stressful job. I’m familiar
with dealing these matters, so it seems to be easy and trivial for me. However,
those matters are complicated actually. In short, the combination of a series
of simple things becomes extraordinary.
I often leave my working environment with complicated
emotions, worries or some problems that awaiting to be solved. I expect the
change of time and space would help me up with those matters. This week, with
an unhealthy heart, I went on an adventure of mountain hiking with a group of experienced
elders. Mountain hiking seemed to be an easy thing for them, but for me, I
could only follow their path and walked slowly behind them. While walking, I
felt kind of nervous, helpless and very unconvinced. I am at least 20 years
younger than those walking in front of me, why aren’t I as healthy as them?
Undoubtedly, this trip didn’t solve my worries, but increased my hard works and
fatigue.
When I finally reached the destination, I shared my hard
feelings with the elders. One of them told me it’s just like I could make a
quilt easily, but it’s an impossible mission for them. Everyone has their “ordinary”
abilities and “extraordinary” expertise. Indeed, the elders concentrated on
walking, and focused on the adjustment of footsteps and breathing, while I was
walking around and taking photos for my creating. I didn’t concentrate on
mountain hiking at all. No wonder the 10-kilometer journey was too exhausting
for me.
While we were discussing, a shop nearby showed us an interesting
scene. It’s just like reminding us that it’s ordinary for chameleons to change
colors, but it’s extraordinary for them to pile up and change the body temperature
and color together. What a perfect answer for this trip!
Wednesday, December 26, 2012
"Dazzled"
by Lin Hsin-Chen
When I received the fifth challenge, I was attending the International
Quilt Festival in Houston. It was a grand exhibition, and I felt delighted,
joyful and excited. Other than these feelings, I expected myself to stand in
the position of learning. Curiosity made me associate with such feelings. I
felt the trip was full of imaginations and inspirations.
I entered the exhibiting area of SAQA’s Seasonal Palette,
and stood in front of my work, Recovery. As I gazed at my work to its every
sewing detail, I discovered that my work actually replaced me as an instructor to narrate my creative ideas to
the audience and it even had “conversation” with the audience directly. I felt
honored and proud of it, but I also felt kind of worried at the same moment.
What did I worry about? I wondered if my work itself really told the audience
what I wanted to express. I wondered what kinds of conversation it had with the
audience, and I wondered if the audience also put masks on my work. I was confused
by these feelings and images and I doubted if I put masks on my work as well.
Does everyone have these kinds of notion in their lives no matter by intentionally
or unintentionally? How to describe and explain the concept of putting masks on
others irresponsibly?
We need courage to pursue every improvement during our life
process, to experience every precious details of life, and to amend and change.
It is undeniable that we cannot abstain from the dazzled sight given by the
world. For our current lives that are redoubtable, watchful, unknown or touchable,
we must abandon prejudices. Then, we would find a space where we can control
things independently, and learn to contend with the masks that we put on accidentally.
Visual experience is not the only way to judge others.
Unfortunately, we may wear complicated eyelashes in advance to cover up our
true self. Dear Masks, we don’t want to put you on ourselves or others.
However, you do exist in our hearts. Please help us with our intellectual power
in the changing lives, so we can ask ourselves not to wear masks and not to put
masks on other people.
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