An international collective of fiber artists exploring sources of inspiration and creativity.
Showing posts with label Mary Pal. Show all posts
Showing posts with label Mary Pal. Show all posts
Wednesday, March 18, 2015
V9 Exhibition: International House, Davis
Viewpoints 9 is proud to announce a special exhibition of contemporary fiber art selected from each of our original 2012 and 2013 challenges. The exhibit will be held at the International House in Davis, California, April 9 - May 6, 2015. Viewpoints 9 members, Diane Wright and Martha Wolfe, invite you to join them for the Opening Reception on April 10, 2015 from 6 - 8PM.
Monday, August 26, 2013
A Horse of a Different Color
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| Equus - 24 x 18 inches |
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| Equus - detail |
Sculpted cheesecloth, water-soluble wax pastels
Participating in the challenges with the eight other artists in this group over the past year and a half has been a wonderful experience and I will watch your progress in the coming year with great interest. Play on!
Sunday, August 25, 2013
Unnatural
Here we are, completing our first full
cycle of nine challenges. A year ago, Martha Wolfe pulled us all together
from around the world to participate in a virtual fiber art collective focused on
exploring alternative sources of inspiration. She proposed we borrow from the theory of multiple intelligences (lo and behold, there are nine!) to inspire our work. What a ride it has been, and what innovative work has resulted. For this final challenge in the first series, we will focus on the area of Naturalistic Intelligence (good at appreciating the world and nature).
Now, who isn't inspired by the colors of nature - a red rose, a vibrant orange sunset, a vivid turquoise ocean? However, your challenge is not to mimic but to alter the colors of nature – to create a work of any aspect of nature with unexpected and surprising color substitutions. Be free. Go crazy! Have fun.
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| Installation in Germany by Rainer Bonk and Bertamaria Reetz, designed around the theme of equality, tolerance and solidarity |
I leave you with the words of Dylan Thomas, from one of my favorite passages in A Child's Christmas in Wales, where he describes one of the gifts from his list of "useless presents" (always the best kind):
"...and a painting book in which I could make the grass, the trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the red field under the rainbow-billed and pea-green birds."
Portrait orientation.
Gallery opens August 26th.
Wednesday, June 26, 2013
Madeleine
This was a challenge to beat all. I read and reread the description. Have you ever had a situation about which you formed an opinion that was later disproved? Consider one of your past preconceptions and depict your experience in an art quilt. I was stumped.
One early idea was to play with part of the challenge word, "Conception" and do a cheesecloth ultrasound of my firstborn, whose 29th birthday was yesterday. I certainly had some preconceptions about what kind of person he would be and about parenthood that were all totally disproved over the years. But it seemed too trite.
So following Lisa-Marie's instructions to the letter, I promptly bought some salted caramel ice cream and was instantly hooked. (Thanks a lot). :) When did I form an opinion that was later disproved? And then I remembered Madeleine.
My first job, at 18, was as a secretary in a high school office. On the first day, I was introduced to Madeleine, a student guidance counsellor in the Guidance office next door. She absolutely terrified me. She spoke in a deep authoritative voice and it was clear she did not suffer fools gladly. She was smart, efficient, professional and very intimidating. Over time, I got to recognize the twinkle in her eye and to see she had the biggest heart and would do anything for the students who needed help, and I enjoyed many conversations with her over coffee break. She helped persuade me that by missing university, I had missed the best time of my life, and with her urging, I applied for and was accepted to Mount Allison University in New Brunswick. Years later, she threw a wedding shower for me with all my former friends and colleagues at the high school. But I moved far away and wasn't particularly good at keeping in touch - I had a career, then kids - and one day, I moved back to Ottawa and that first September, when I attended the 100th anniversary of my eldest son's school, I stopped in my tracks when I heard a familiar voice across the auditorium. Yes, it was Madeleine.
We picked up where we left off and the 10 years I had been away dissolved. It was only then that I learned that when I met her in 1971, she was facing the most challenging situation of her life - her husband had become disorganized, forgetful and difficult, and the only diagnosis doctors could come up with was senile dementia, though he was only 55. What I perceived as a brusque and impatient person was the result of her being embroiled in this horrible situation: seeking information about his condition with scant information available, meeting with doctors and looking for support. When she had no luck, she established the Ottawa Alzheimer Society, so she could provide assistance and answers to other people in the same situation. "I will never let another woman go through what I did." Only someone with the fortitude and obstinacy of a Madeleine could have accomplished as much as she did. I am in awe of her courage and tenacity and I hope I have conveyed some of her strength in this portrait, along with the tremendous love and affection I feel for her.
Today, Madeleine is as strong-willed and feisty as ever. She celebrated her 100th birthday this year.
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Sculpted cheesecloth on face, hands and hair; painted with Neocolor II wax pastels and Inktense pencils.
One early idea was to play with part of the challenge word, "Conception" and do a cheesecloth ultrasound of my firstborn, whose 29th birthday was yesterday. I certainly had some preconceptions about what kind of person he would be and about parenthood that were all totally disproved over the years. But it seemed too trite.
So following Lisa-Marie's instructions to the letter, I promptly bought some salted caramel ice cream and was instantly hooked. (Thanks a lot). :) When did I form an opinion that was later disproved? And then I remembered Madeleine.
My first job, at 18, was as a secretary in a high school office. On the first day, I was introduced to Madeleine, a student guidance counsellor in the Guidance office next door. She absolutely terrified me. She spoke in a deep authoritative voice and it was clear she did not suffer fools gladly. She was smart, efficient, professional and very intimidating. Over time, I got to recognize the twinkle in her eye and to see she had the biggest heart and would do anything for the students who needed help, and I enjoyed many conversations with her over coffee break. She helped persuade me that by missing university, I had missed the best time of my life, and with her urging, I applied for and was accepted to Mount Allison University in New Brunswick. Years later, she threw a wedding shower for me with all my former friends and colleagues at the high school. But I moved far away and wasn't particularly good at keeping in touch - I had a career, then kids - and one day, I moved back to Ottawa and that first September, when I attended the 100th anniversary of my eldest son's school, I stopped in my tracks when I heard a familiar voice across the auditorium. Yes, it was Madeleine.
We picked up where we left off and the 10 years I had been away dissolved. It was only then that I learned that when I met her in 1971, she was facing the most challenging situation of her life - her husband had become disorganized, forgetful and difficult, and the only diagnosis doctors could come up with was senile dementia, though he was only 55. What I perceived as a brusque and impatient person was the result of her being embroiled in this horrible situation: seeking information about his condition with scant information available, meeting with doctors and looking for support. When she had no luck, she established the Ottawa Alzheimer Society, so she could provide assistance and answers to other people in the same situation. "I will never let another woman go through what I did." Only someone with the fortitude and obstinacy of a Madeleine could have accomplished as much as she did. I am in awe of her courage and tenacity and I hope I have conveyed some of her strength in this portrait, along with the tremendous love and affection I feel for her.
Today, Madeleine is as strong-willed and feisty as ever. She celebrated her 100th birthday this year.
--------------------------------
Sculpted cheesecloth on face, hands and hair; painted with Neocolor II wax pastels and Inktense pencils.
Friday, April 26, 2013
Haida Way
Using motifs, colours, and flat linear elements customarily associated with Haida artwork, I designed a piece to depict that most contemporary and unfortunate invention known as the "flame." If you've ever been innocently sitting at your computer monitor only to find yourself on the receiving end of a vitriolic email , then you will identify with this depiction. There is lots of symbolism here, which I decided to "hide away" for you, the viewer, to interpret for yourself.
Made from raw-edge machine-appliqued cotton.
Location:
Ottawa, ON, Canada
Friday, April 19, 2013
Northwest Coast Art Traditions

I really spent some time thinking about this one - Misik and Hsin-Chen especially have a real advantage here - they come from design traditions dating back thousands of years! My country, Canada, is a babe in the woods - surely the youngest country in the group, having been a country for just 100 years (well, we celebrated our centennial when I was in high school, so if my math is correct, we are closing in on 150 years now!). This doesn't leave much time to develop textile or design traditions. We do have a Canadian tartan - the "maple leaf plaid" to the left, created just a few years before our centennial celebrations - but I couldn't see making an art quilt out of it (though I recall my mother loved it and made me a skirt out of it).
So I wracked my brain - would I have to go back in history and visit the ancestors in Scotland and Ireland to use their imagery? But Canada is the homeland of some very creative indigenous peoples - the first nations tribes, the Inuit, and - from the Pacific northwest coast just off British Columbia - the Haida nation. Luckily for me, the Canadian Museum of Civilization, just minutes from where I live in Ottawa, has beautiful Haida artwork by renowned artists like Bill Reid and Robert Davidson, and some ancient artifacts like this garment depicting an eagle and the carved ceremonial dish below. I also discovered a beautiful book Haida Art by George F
MacDonald, where I learned the history of this fascinating people. For centuries the Haida have lived on the Queen Charlotte Islands, a remote archipelago off the northwest coast of North America (yes, there are even some in southeast Alaska). Art, myth and ceremony were an integral part of their lives, and over time they developed a rich, distinctive and powerful style of sculpture and painting.

Haida art is distinctive in that there is little
realism or naturalism in most of their drawings and carvings - creatures often depict large staring eyes, open mouths exposing rows of teeth and tongues, and faces can be seen in body parts like hands, eyes and torsos. Most of the traditional designs I found are in black and red on white - beautiful, graphic images that are very appealing. Here is Dogfish Mother by Robert Davidson and Haida Beaver Tsing by Bill Reid:So what can I do to put a contemporary spin on this traditional artform? I think it will be fun to design a piece using the motifs, shapes and colours of Haida prints, depicting something very contemporary. The "big reveal" is just one week away, so be sure to visit again on April 26 to see what everyone came up with.
Thursday, February 28, 2013
Clarke Quay Tiles: In Homage to Chua Ek Kay
by Mary Pal
What could be more ordinary than a wall in a subway station? Unless you happen to be in Singapore, and at the Clarke Quay station. There you will find a mural depicting the Singapore River created with bronze panels that have been aged with chemicals, made by Singaporean artist Chua Ek Kay. Thousands of people walk blithely past it every day but, being an enthralled tourist, I snapped a shot as it was just too dazzling to ignore.
I did attempt two other pieces for this challenge which did not capture my imagination, so I was dissatisfied and flipped through photos from my last trip again – lots of extraordinary things, but none that could be considered “ordinary.” And then I saw the glorious wall again and it was perfect. I quickly decided I could fit six “tiles” in the required finished size. The individual tiles are painted with Setacolor transparent paints and metallic paints, with foil accents, then quilted with variegated thread. Only when I began painting did I realize the complexity of what the artist created with metal – there are reflections in the water, shimmering light, and even the flash of swimming fish. I would love to make another version in a much, MUCH larger size. But who has time? There's another challenge under way!
Monday, February 11, 2013
Nothing Ordinary Here
I have spent most of the past week on holiday in Bali, and with a Viewpoints 9 deadline looming, you can bet I have been giving this next theme a great deal of thought. Of course, when visiting a culture that is distinctly different from one's own, *everything* ordinary is extraordinary ... from the vegetation -


to the unusual foods available -
to the customs and traditional costumes.

So on every sightseeing foray, I have looked around to see if there was subject matter I would like to select for our theme.
The I hit on what I thought was a brilliant response - I would take a batik workshop and then take the batik home to stitch and finish: thus, taking an ordinary piece of fabric and doing something extraordinary with it.
The workshop was absolutely incredible and I enjoyed my day immensely. My instructor, Widya, was fantastic, knowledgeable and patient, and as you can see from some of his finished pieces below, very talented. He is from Java so has a very specific style of batiking.


I decided to begin by doing a combination of line drawing with the janting and stamping with hot wax. What fun!


Then I painted on natural dyes and let it dry. I was happy to leave it there!

But the next steps altered everything - putting on more wax to fill every space with pattern and design (so not me!) and then dipping into the final blue dye, which I had envisioned as a sky blue but which was, in fact, closer to indigo.
I will stop there, leaving you hanging. Because, you see, once it was finished, it did't look like anything Mary Pal would make ... and I don't think I can "make it mine" even with significant stitching. But I won't be back in Canada until the 21st, a mere 5 days before we must post the finished piece. So I have to either come up with some other brilliant idea pronto or rework this Bali Mandala. The pressure is on - stay tuned!
- Posted using BlogPress from my iPad


to the unusual foods available -
to the customs and traditional costumes.

So on every sightseeing foray, I have looked around to see if there was subject matter I would like to select for our theme.
The I hit on what I thought was a brilliant response - I would take a batik workshop and then take the batik home to stitch and finish: thus, taking an ordinary piece of fabric and doing something extraordinary with it.
The workshop was absolutely incredible and I enjoyed my day immensely. My instructor, Widya, was fantastic, knowledgeable and patient, and as you can see from some of his finished pieces below, very talented. He is from Java so has a very specific style of batiking.


I decided to begin by doing a combination of line drawing with the janting and stamping with hot wax. What fun!


Then I painted on natural dyes and let it dry. I was happy to leave it there!

But the next steps altered everything - putting on more wax to fill every space with pattern and design (so not me!) and then dipping into the final blue dye, which I had envisioned as a sky blue but which was, in fact, closer to indigo.
I will stop there, leaving you hanging. Because, you see, once it was finished, it did't look like anything Mary Pal would make ... and I don't think I can "make it mine" even with significant stitching. But I won't be back in Canada until the 21st, a mere 5 days before we must post the finished piece. So I have to either come up with some other brilliant idea pronto or rework this Bali Mandala. The pressure is on - stay tuned!
- Posted using BlogPress from my iPad
Location:Ubud, Bali
Wednesday, December 26, 2012
Thermal Mask
The title is kind of a pun as this piece is a response to the Themel challenge. :)
What are our faces but the masks we present to the world? Mostly my "public persona" is this one - no matter what is going on in my life, I try to adhere to the lyrics of that old song, "Grey skies are gonna clear up / Put on a happy face / Brush off the clouds and cheer up / Put on a happy face...." as I think most of us do.
This piece was so much fun to make. I held up my iPad, and using Photobooth, took a photo of my "Public Persona" face using the thermal filter. After that, I painted some white buckram with a background aqua in Setacolor paints as well as the green of the face, then traced the outlines of the other facial colors on Mylar, and sculpted colored cheesecloth to correspond with the various colored areas in the photo. I stitched them on when they were dried, and quilted the buckram to white felt. Boom, done! (And I say this only because I have struggled with many of the past challenges and this one seemed to make itself.) I am still toying with the notion of sewing on a thin binding or facing the edges. But that will happen the day I sew the sleeve on (probably the day Martha says the challenge pieces are all due somewhere for an exhibit!).
I had a ball working on this piece, bouncing to tunes on my iPod (lots of Mary Chapin Carpenter), and thoroughly enjoyed every moment of making it. I think it's fun and may start using it as my avatar online.
Wednesday, December 5, 2012
The Masks We Wear
This month’s Challenge: What kind of masks do you wear in your life? Do they hide you or allow you to be your true self?
Oooh, Kate ... good one!
Like my fellow colleagues involved in this challenge, it has caused me to give considerable thought to the masks I wear.
It always elicits guffaws of disbelief in everyone but my immediate family when I reveal that I am an introvert. I'm not off the charts (if you haven't done the Myers-Briggs personality type inventory, it is a fascinating and revealing experience - there are lots available online for free), but I test decidedly on the Introvert side. Why does no one guess this? Because I wear the mask of an extrovert. Sometimes I feel like the character played by Roy Scheider in the film All That Jazz when he looks at his reflection in the mirror each morning and intones, "Show time!" When I have to engage in public speaking, that is almost literally what I do while donning my Extrovert Mask. To be clear, here, I don't engage in the use of cigarettes, dexedrine, Alka Seltzer and Visine that the protagonist in the film does! But I do have a Public Persona, and that is the face I show to the world.
So, miracle of miracles, this was the easiest and quickest challenge yet. It was done before the end of November, and was yet another opportunity to do some experimental work - which is why this group is so important to me. It is like a license to deviate from my normal art routine and try things I ordinarily would not take time from my hectic schedule to play with. Can't wait for the Big Reveal!
Oooh, Kate ... good one!
Like my fellow colleagues involved in this challenge, it has caused me to give considerable thought to the masks I wear.
It always elicits guffaws of disbelief in everyone but my immediate family when I reveal that I am an introvert. I'm not off the charts (if you haven't done the Myers-Briggs personality type inventory, it is a fascinating and revealing experience - there are lots available online for free), but I test decidedly on the Introvert side. Why does no one guess this? Because I wear the mask of an extrovert. Sometimes I feel like the character played by Roy Scheider in the film All That Jazz when he looks at his reflection in the mirror each morning and intones, "Show time!" When I have to engage in public speaking, that is almost literally what I do while donning my Extrovert Mask. To be clear, here, I don't engage in the use of cigarettes, dexedrine, Alka Seltzer and Visine that the protagonist in the film does! But I do have a Public Persona, and that is the face I show to the world.So, miracle of miracles, this was the easiest and quickest challenge yet. It was done before the end of November, and was yet another opportunity to do some experimental work - which is why this group is so important to me. It is like a license to deviate from my normal art routine and try things I ordinarily would not take time from my hectic schedule to play with. Can't wait for the Big Reveal!
Monday, October 29, 2012
JBW
The smell of Brahadi's tobacco propels me instantly into the past. I am 8 years old and my Grandpa Windross is coming from Calgary for a visit. All the kids are excited - he always brings fabulous gifts - fancy dresses with crinolines for me, or once, a much-coveted Annie Oakley costume with fringed vest and white cowboy hat. Always, there were jelly beans in his pocket and with a twinkle in his eye, he would pose a riddle, and if we got it right, we were rewarded with a handful of jelly beans. Before gleefullypopping them in your mouth, you had to pick off a few shreds of errant pipe tobacco. For he was never without his pipe - and the air would fill with the sweet, cloudy scent of Brahadi's as he regaled us with tales of his youth.
I have wanted to do a portrait of him for some time, so I'm grateful for this challenge. I based it on a photo taken by my older brother John, who was interested in photography as a teenager, and Grandpa happily obliged him by posing for some pictures. Grandpa lived to be 96. He had hoped to make it to 100 to get a letter from the Queen, as he'd been born on the Isle of Man. It was not to be, but fond memories live on in our hearts.
So here he is, pipe in hand, in a three-piece suit as he dressed every day.
Saturday, September 29, 2012
Scents of Smell
At long last! This is the first challenge where I knew right away what I would make in response. Diane's post: <<Do you remember a scent that evokes vivid imagery? Share that memory with us>>. The immediate response was so clear to me that I rejected it at first, thinking I should come up with something less obvious.
So I searched the olfactory memory banks. One of her suggestions was the smell of burning leaves in autumn and that is indeed a favorite childhood memory of mine. And that in turn reminded me of a piece I made many years ago for a local group challenge called "The Elements." I made an experimental 3D piece - a vessel with a side for Earth, Wind, Water and Fire.
Here's "Fire." I sat and studied the fire in our wood stove (also a wonderful scent to recall on a chilly autumn day like today) and then layered strips of orange organza and stitched them down. I was not enthralled with the result and stitching in orange to represent the flying sparks didn't do anything to win me over. As I showed it to the group, someone asked, "What sign are you?" When I said, "Capricorn," she nodded knowingly and said, "Yes, of course; that's an 'earth' sign so no wonder you were challenged in the making of 'fire' - they're totally incompatible signs." Interesting food for thought, especially in light of the fact that I had experienced such joy in the construction of the "Earth" side. This recollection helped in the decision not to attempt a piece for this challenge based on the smell of burning leaves from my childhood. Ha!
I am greatly relieved we are not expected to depict a specific scent in our next piece. Too reminiscent of that stressful Vivaldi challenge where the artwork was to represent the sound of the music! No, this is a wonderful opportunity to depict the image that comes to mind when a specific scent is experienced or recalled. Like my fellow challenge-takers, I can think of many scents that evoke memories: gardenias, freshly-baked oatmeal cookies, a new box of crayons, Youth Dew perfume.... But I'm back to my original choice. Without giving anything away, I can share this much: Brahadi's Pipe Tobacco is the scent that is inspiring what I am going to create. Can't wait to see the scents and images that inspire my colleagues!
So I searched the olfactory memory banks. One of her suggestions was the smell of burning leaves in autumn and that is indeed a favorite childhood memory of mine. And that in turn reminded me of a piece I made many years ago for a local group challenge called "The Elements." I made an experimental 3D piece - a vessel with a side for Earth, Wind, Water and Fire.
Here's "Fire." I sat and studied the fire in our wood stove (also a wonderful scent to recall on a chilly autumn day like today) and then layered strips of orange organza and stitched them down. I was not enthralled with the result and stitching in orange to represent the flying sparks didn't do anything to win me over. As I showed it to the group, someone asked, "What sign are you?" When I said, "Capricorn," she nodded knowingly and said, "Yes, of course; that's an 'earth' sign so no wonder you were challenged in the making of 'fire' - they're totally incompatible signs." Interesting food for thought, especially in light of the fact that I had experienced such joy in the construction of the "Earth" side. This recollection helped in the decision not to attempt a piece for this challenge based on the smell of burning leaves from my childhood. Ha!
I am greatly relieved we are not expected to depict a specific scent in our next piece. Too reminiscent of that stressful Vivaldi challenge where the artwork was to represent the sound of the music! No, this is a wonderful opportunity to depict the image that comes to mind when a specific scent is experienced or recalled. Like my fellow challenge-takers, I can think of many scents that evoke memories: gardenias, freshly-baked oatmeal cookies, a new box of crayons, Youth Dew perfume.... But I'm back to my original choice. Without giving anything away, I can share this much: Brahadi's Pipe Tobacco is the scent that is inspiring what I am going to create. Can't wait to see the scents and images that inspire my colleagues!
Friday, August 31, 2012
Gaia in Repose
At long last, I can post my finished response to the Horizons challenge. I contemplated the interesting insights from my fellow artists, and decided to create some sketches with undulating lines in my sketchbook. I was struck at one point, how the lines took on the look of a hilly landscape, and later, with how similar those lines were to the curvilinear shape of the human body. The result is a bit of a trompe l'oeil piece. After painting the fabric, I played further with line by adding lines of quilting to provide perspective and dimension. I might well have entitled the piece "Ambiguity" because there is so much! Some viewers don't even see the figure at first. And is it a hillscape or bed coverings? And finally, where is the horizon - where does the land end and the sky begin?
Or maybe it should be entitled "Perseverance" because of the many obstacles that hindered my completing the piece by the due date. My trip to Taiwan - the experience of a lifetime - stopped production midway; then a family trip took me away for five days; professional obligations took priority on my return, and I am starting a new day job. But the final straw last night was the cat deciding my quilt looked like a nice cozy spot for taking a nap.
Now the piece is finished and ... what's this? The new challenge has been posted! Back to the drawing board, quite literally. No rest for the wicked!
| Gaia in Repose - detail |
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| Snoop, napping with Gaia (yes, the iron was off) |
Now the piece is finished and ... what's this? The new challenge has been posted! Back to the drawing board, quite literally. No rest for the wicked!
Sunday, July 22, 2012
Excitement on the Horizon
Just when I begin to think I have a handle on how to approach the assignment of making artwork that responds to the task set by the Challenge Master, the next puzzle appears and I face the same conundrum: how to interpret it. The weekly responses are really helpful because they are totally different from one another and often very different from what I have been thinking about.
Betty focused on horizons, Martha on lines.
At first, when I read Hsin-Chen's challenge, my mind leapt immediately to its usual default: literal and representational. I researched "horizon" and found the expected references to horizon in Astronomy, Geology, Archaeology, and of course, the intersection of earth and sky.
This line of thinking brought to mind some small landscapes I have made to teach students how to portray sky and earth on fabric using paintstiks.



They certainly satisfy the definition of where the earth meets the sky, and perhaps it is the perspective provided by the horizon line in landscape art that is so compelling to viewers: what is just beyond that far hill? The depth beckons to us and invites us to step into the picture.
But I read on and one definition of 'horizon' intrigued me: "the range of one's knowledge, experience, or interest; the scope of a person's education, understanding, etc.: His horizons were narrow." And I was delighted to read a little further: "Synonyms: world, perspective, domain, viewpoint." How fitting for our group!
I mulled this over, and in subsequent discussions with wonderful artist friends of mine (a shout-out to Nysha, Linda B, and Pat C), I realized that the reference 'delicate lines carry emotions and expressions' permitted me to interpret them as the lines that appear on a face over time ... and that life presents us all with horizons all the time; some approach them boldly and with confidence and some regard those horizons as limits. So it would not be unreasonable of me to select a portrait to depict my response.
Or, in the interest of "expanding my horizons," I have given some thought to this confirmed machine individual using hand-stitched 'lines' of thread to sketch an image. I have some sashiko threads and gorgeous heavy cotton I brought back from Tokyo and this would be a perfect excuse to use them.
And that sums up the reason being in this group is so great for me: with each successive challenge, I can use whatever interpretation I want to in response, and am not restricted to particular materials or techniques. This kind of openness is both daunting and emancipating.
I leave for Taiwan in three weeks to teach at the Taiwan International Quilt Exhibition - so I don't have time to dally! Looking forward to hearing what others are thinking about as they face this challenge.
Betty focused on horizons, Martha on lines.
At first, when I read Hsin-Chen's challenge, my mind leapt immediately to its usual default: literal and representational. I researched "horizon" and found the expected references to horizon in Astronomy, Geology, Archaeology, and of course, the intersection of earth and sky.
This line of thinking brought to mind some small landscapes I have made to teach students how to portray sky and earth on fabric using paintstiks.
They certainly satisfy the definition of where the earth meets the sky, and perhaps it is the perspective provided by the horizon line in landscape art that is so compelling to viewers: what is just beyond that far hill? The depth beckons to us and invites us to step into the picture.
But I read on and one definition of 'horizon' intrigued me: "the range of one's knowledge, experience, or interest; the scope of a person's education, understanding, etc.: His horizons were narrow." And I was delighted to read a little further: "Synonyms: world, perspective, domain, viewpoint." How fitting for our group!
I mulled this over, and in subsequent discussions with wonderful artist friends of mine (a shout-out to Nysha, Linda B, and Pat C), I realized that the reference 'delicate lines carry emotions and expressions' permitted me to interpret them as the lines that appear on a face over time ... and that life presents us all with horizons all the time; some approach them boldly and with confidence and some regard those horizons as limits. So it would not be unreasonable of me to select a portrait to depict my response.
Or, in the interest of "expanding my horizons," I have given some thought to this confirmed machine individual using hand-stitched 'lines' of thread to sketch an image. I have some sashiko threads and gorgeous heavy cotton I brought back from Tokyo and this would be a perfect excuse to use them.
And that sums up the reason being in this group is so great for me: with each successive challenge, I can use whatever interpretation I want to in response, and am not restricted to particular materials or techniques. This kind of openness is both daunting and emancipating.
I leave for Taiwan in three weeks to teach at the Taiwan International Quilt Exhibition - so I don't have time to dally! Looking forward to hearing what others are thinking about as they face this challenge.
Tuesday, June 26, 2012
Sarajevo Roses
The symbol I have chosen is one you may think you know already—a rose. This symbol generally conjures up ideas of beauty and love. But this rose is a rose of Sarajevo. They are all over the city in public areas and are the marks left by exploding shells during the Bosnian war 1992-96, then filled in with red resin. Over 470,000 grenades and shells fell on Sarajevo during the siege; 50,000 citizens were wounded and 10,650 were killed, 1,601 of them being children.
What this rose represents is the death of an ordinary civilian, possibly a woman or child, who was merely standing in the street or perhaps shopping at a market or filling a bottle of drinking water when a shell exploded; it is a sign of remembrance, like our red poppy, and represents the innocents against whom these atrocities were committed.
But for me, it is a powerful symbol for peace and a caution to us all. It is a reminder that human beings “just following orders” will kill unarmed people simply to fulfill the desires of a politician seeking glory, riches, and power, with no regard to the cost to humanity. That war has ended but the problem continues. Yesterday it was Sarajevo; today it is Syria.
I painted the quilt with Setacolor paints and quilted densely in the mortar between the stones. It is based on a photo I took in the marketplace but the rose is a composite of several I saw when visiting the city last month.
Tuesday, May 15, 2012
Mary's Take on Challenge 2
Well, this is a Challenge group, indeed! This whole experience has been quite an eye-opener for me because I am so unaccustomed to being assigned a subject when making my artwork - I come up with my concept and I proceed to make the vision a reality. So this group is definitely pulling me out of my very comfortable little rut and making me think in all kinds of new ways. Which is the point, right?
The last challenge had me cogitating on how to depict something auditory in visual terms. That was tough enough! Now I have a two-fold assignment: design a symbol to represent something that doesn't have one, and then depict it in an aesthetically pleasing way.
Like Martha, my mind turned first to the symbols we see around us all the time - to warn us about dangers: ...

to tell us what we should do ...
... or should not do ....

I can see it might be easy to have a lot of fun with this challenge. Martha's post title was "Too Much Pi" and I imagined designing a symbol for that!
But I was flummoxed enough to write to Betty and make sure I grasped what she was envisioning. (Is that cheating?) :)
Aha! Emoticons! :D Wonderful little symbols for expressing tone of voice so emails don't get misinterpreted!
:-O Gasp 0:-) Angel :-{{ Angry face >:-( Annoyed
@:-} Just back from hairdresser
:-(O= Too much pie
So in the interests of sharing my newfound knowledge with my struggling colleagues, here are Betty's hints:
Think of something that takes many words to approximate (like pi can take many numbers) and then make a symbol for it.
like- that feeling in the morning when you get an idea when you're half asleep and then spend the next couple of hours trying to remember it ... or- what happens when you're listening to someone drone on and on and really want to be someplace else
Okay, that helps. It's coming to me. I think I will work on designing a symbol for that feeling you get when you are facing an insurmountable challenge!
!
o A
The last challenge had me cogitating on how to depict something auditory in visual terms. That was tough enough! Now I have a two-fold assignment: design a symbol to represent something that doesn't have one, and then depict it in an aesthetically pleasing way.
Like Martha, my mind turned first to the symbols we see around us all the time - to warn us about dangers: ...

to tell us what we should do ... ... or should not do ....

I can see it might be easy to have a lot of fun with this challenge. Martha's post title was "Too Much Pi" and I imagined designing a symbol for that!
But I was flummoxed enough to write to Betty and make sure I grasped what she was envisioning. (Is that cheating?) :)
Aha! Emoticons! :D Wonderful little symbols for expressing tone of voice so emails don't get misinterpreted!
:-O Gasp 0:-) Angel :-{{ Angry face >:-( Annoyed
@:-} Just back from hairdresser
:-(O= Too much pie
So in the interests of sharing my newfound knowledge with my struggling colleagues, here are Betty's hints:
Think of something that takes many words to approximate (like pi can take many numbers) and then make a symbol for it.
like- that feeling in the morning when you get an idea when you're half asleep and then spend the next couple of hours trying to remember it ... or- what happens when you're listening to someone drone on and on and really want to be someplace else
Okay, that helps. It's coming to me. I think I will work on designing a symbol for that feeling you get when you are facing an insurmountable challenge!
!
o A
Thursday, April 26, 2012
Summer Rhythms
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| "Summer Rhythms," Mary Pal |
After a couple of false starts in my sketchbook, where I found myself always reverting to a representational interpretation, I sat down with headphones and listened again carefully to the selection. I waited for colors and shapes to appear and jotted them down. As I look at the finished piece, I know exactly which sections of the music each row of shapes refers to, so I can hear the music when I look at them.
This was a totally new way of working for me. One false start, of course, evolved into a portrait with wavy hair containing all the movement of the music. But I scrapped that because I knew that working in our own usual style was not the goal here. My second false start was a tree in a summer storm. Again, that was not me responding to the music but making a story from the musical inspiration.
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| "Summer Rhythms" detail |
Thursday, March 8, 2012
Mary's Response to the First Challenge
On my way to Beijing, but have been giving a lot of thought to our first challenge.
Coincidentally, I was chatting with my daughter and younger son the day before the challenge was posted and the topic of synesthesia came up - syntesthetes are people who "see" language or numbers in various colours. I have since done a little research and learned that Kandinsky was one - he had a lifelong preoccupation with creating the painterly equivalent of a symphony with his art. David Hockney may be another, asserting he hears music as colour and shape. He once claimed, "When I listened to the music, the tree just painted itself."
I will be particularly challenged this month as one-third of the time allotted to respond with my fiber art, I will be traveling and unable to do more than think about what I might create.
However, before leaving home, I did listen to the Vivaldi piece a couple of times - I remember discovering the "Four Seasons" back in university and enjoyed listening to it again. As I did, I tried to "think" in a different way - to see what images the music conjured up for me. It was difficult not to think in terms of "summer" as I was already so familiar with that association, so what I "saw" when I listened was: buzzing of insects, lush flora, warm sunshine, and the busy-ness of a garden with birds and squirrels and the constant change and growth indicated by the lively rhythm. And most importantly, I was especially aware of the layering of these images, which I am sure will guide my work when I am able to get back into my studio.
I'm eagerly looking forward to seeing what the other participants are thinking about as they respond to this inspiration!
- Posted using BlogPress from my iPad
Coincidentally, I was chatting with my daughter and younger son the day before the challenge was posted and the topic of synesthesia came up - syntesthetes are people who "see" language or numbers in various colours. I have since done a little research and learned that Kandinsky was one - he had a lifelong preoccupation with creating the painterly equivalent of a symphony with his art. David Hockney may be another, asserting he hears music as colour and shape. He once claimed, "When I listened to the music, the tree just painted itself."
I will be particularly challenged this month as one-third of the time allotted to respond with my fiber art, I will be traveling and unable to do more than think about what I might create.
However, before leaving home, I did listen to the Vivaldi piece a couple of times - I remember discovering the "Four Seasons" back in university and enjoyed listening to it again. As I did, I tried to "think" in a different way - to see what images the music conjured up for me. It was difficult not to think in terms of "summer" as I was already so familiar with that association, so what I "saw" when I listened was: buzzing of insects, lush flora, warm sunshine, and the busy-ness of a garden with birds and squirrels and the constant change and growth indicated by the lively rhythm. And most importantly, I was especially aware of the layering of these images, which I am sure will guide my work when I am able to get back into my studio.
I'm eagerly looking forward to seeing what the other participants are thinking about as they respond to this inspiration!
- Posted using BlogPress from my iPad
Location:Ottawa International Airport
Thursday, February 16, 2012
Viewpoints 9: The Artists
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| Diane Wright |
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Martha Wolfe
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| Kate Themel |
Since sources of inspiration are to be the focus our group, each artist provided an image that reflects something that currently inspires their work, one they are using or intend to use or a theme that runs through their work.
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| Mary Pal |
Follow the link beneath each photo to learn more about the artist.
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| Misik Kim |
Our art, our lives, our world, all influence our Viewpoints! Please, join us and share yours....
Your comments are always welcome here, or join us on our facebook page at:
http://www.facebook.com/Viewpoints9
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| Betty Busby photo courtesy of NASA |
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